In an era where Star Wars TV shows are met with enthusiasm from die-hard fans but face a more discerning audience, Ahsoka arrives on the scene, aiming to capture the crossover appeal of previous hits like Andor and the first two seasons of The Mandalorian.
However, Ahsoka (TV Series) straddles a fine line between engaging storytelling and overly reverence for franchise lore like its predecessors.
What Species is Ahsoka?
Ahsoka series starts with a gripping double episode, reacquainting viewers with Ahsoka Tano the former apprentice of Darth Vader who has resisted the pull of the Dark Side.
Ahsoka’s character is somewhat elusive, oscillating between the mentor, vigilante, and fixer roles. Yet, her composed and determined presence in a post-Empire galaxy fraught with uncertainty is a beacon of stability.
As the remnants of the Galactic Empire threaten to resurface, Ahsoka embarks on a quest to locate and thwart Grand Admiral Thrawn, an exiled Empire loyalist.
The theme of the Ahsoka Series
The catalyst for Ahsoka’s journey is an enigmatic map, coveted by malevolent mercenaries exhibiting Jedi-like abilities, setting the stage for a slow-burning race against time.
Ahsoka’s narrative unfolds in a manner that harkens back to older storytelling styles, often dwelling on scenes longer than modern audiences might prefer. This measured approach is evident in moments such as Ahsoka’s exploration of an abandoned underground hub on a desolate planet.
The show’s meticulously crafted environments and the unveiling of hidden relics evoke a sense of Indiana Jones-esque adventure. Still, the deliberate pacing may test viewers’ patience unaccustomed to Ahsoka’s methodical storytelling.
This meticulous attention to detail is likely a familiar and appreciated trait for those following Ahsoka’s journey through the animated series Clone Wars and Rebels.
Despite the deliberate pace, a cohesive ensemble eventually takes shape. Ahsoka’s pursuit of assistance in deciphering the map leads her to her former protegee, Sabine Wren (Natasha Liu Bordizzo), whose volatile nature contrasts with her impressive skills.
Joining them is Hera Syndulla (Mary Elizabeth Winstead), a commanding presence within the New Republic. The potential synergy of this all-female trio offers a promising avenue for character-driven space escapades.
Ahsoka’s maternal instincts and Hera’s nurturing demeanor are poised to balance Sabine’s recklessness, though the characters’ personalities could benefit from further depth.
While Ahsoka is not devoid of action, with Sabine’s impetuousness leading to exhilarating hoverbike duels and chases and Ahsoka displaying her distinctive reverse-grip lightsaber technique, the series occasionally feels burdened by its seriousness.
The narrative excursion to a bustling port provides a brief but insightful commentary on the enduring struggle against fascism, showcasing the grey areas even within a post-Empire era.
More Bad Star Wars in a Galaxy
In its essence, Ahsoka’s potential lies in its ability to embrace the essence of Star Wars: being lively and entertaining.
The Ahsoka show occasionally falters in this aspect, missing opportunities for humor and charm. The inclusion of Huyang, a droid voiced by David Tennant, falls short of delivering the desired comedic relief.
Hindered by characters who overtly explain elements instead of showing them, Ahsoka sometimes strays from the “show, don’t tell” principle, a hallmark of effective storytelling.
Ahsoka’s show has laid down its foundations, and its success rests on finding the balance between reverence for the franchise and injecting the lively spirit that makes Star Wars iconic.
While the series showcases glimpses of brilliance, there is room for improvement, particularly in allowing characters like Huyang to unleash their full potential, adding depth to Ahsoka’s demeanor, and embracing the swifter, more playful cadence that Star Wars fans have come to cherish.
Don’t forget to watch Oppenheimer, that will take you to the adventurous world.